What are the most important similarities and differences of the Abrahamic religions?

What are the most important similarities and differences of the Abrahamic religions? Topic: What are the most important similarities and differences of the Abrahamic religions?
April 22, 2019 / By Skye
Question: The Abrahamic religions are Judaism, Islam, & Christianity. If you should decide to answer this question, PLEASE: Respect everyone's answers. Answer the question in your own words, no plagiarism. No links to any websites. No links to any published articles or materials on the internet. Absolutely no Wikipedia links. Think about what you say before you say it. Do not call me or anyone any names. Do not tell me to decide for myself, I would like to hear what YOU think. Do not tell me "DO YOUR OWN HOMEWORK", because this IS NOT homework. I am only seeking the best well thoughout and well explained answer.
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Best Answers: What are the most important similarities and differences of the Abrahamic religions?

Piper Piper | 6 days ago
All three great western religions are based on Abraham. He was going to sacrifice Isaac but a angel told him not to. I think the moral is that the sins of the father cannot be put on the son.
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Piper Originally Answered: What is the similarities and differences between Mozart's Symphony No. 40 and Beethoven's Symphony No. 5?
<<<<>>>> Beethoven's first movement is the first, last, and only sonata movement based on germ motifs. In order to prolong the movement longer than thirty seconds, this requires motive play--what one writer calls "secondary development"--in the exposition and recapitulation. That makes the task three times as difficult. Both composers are to be commended for writing a second theme which can sound equally graceful in both major and minor modes. (Tschaikovsky attempts this feat in "Swan Lake," but with somewhat less success.) Instead of recapitulating the second theme in the tonic major, as was the usual custom even when the first theme is in a minor mode, Mozart recapitulates it in the tonic minor. Beethoven's French horn theme uses only do, mi, and so. (Poor fellow, he didn't have any valves, so what more COULD he do!) Since all three tones are the same in both modes, Beethoven could have recapitulated this theme in the minor mode, but he chose not to. However, the theme appears in the development in the minor mode. One disadvantage of the sonata form is that the recapitulation doesn't end with the opening theme, which would make a nice neat pair of bookends. Both composers correct this fault by restating the opening theme in the coda. <<<<>>>> Sorry, I can't find much common ground here. Beethoven writes this movement as a variation on two themes, a form which he used at least as early as the Eroica Symphony. I'm not sure, but I think Mozart writes this movement in the sonata form. Am I right? Notice that Beethoven's second theme appears in both modes. <<<<>>>> Notice the bantering between the winds and the strings in the Mozart movement. Beethoven does the same in the development section in his first movement. Despite Mozart calling his movement a minuet and Beethoven calling his movement a scherzo, both movements have an opening in the minor mode and a trio in the parallel major. The opening theme of the third movement resembles that of the first movement. Beethoven also makes such "thematic links," as they are called, in the Moonlight and Pathetique Sonatas. Could he be the inventor? Beethoven also makes a few other innovations in this movement. He makes a bridge between the trio and the restatement. Here, he is foreboding the day in which composers frown upon little parcels ending in cadences and double bars. He also writes the restatement differently. Here, he is foreboding the day in which composers frown upon repeat signs and dal capo markings. Furthermore, he makes a bridge to the last movement. Here, he is foreboding the day in which composers sometimes even frown upon MOVEMENTS ending in cadences and double bars! <<<<>>>> Both movements are in the sonata form. This time, Mozart does not choose to give the first theme an extra nudge in the coda, but Beethoven does. In fact, Beethoven's coda comes close to wagging the dog! There is a reappearance of the third movement at the end of the development. (This is not to be confused with a thematic link, in which two themes are similar, but not exactly the same.) This presages the Ninth Symphony, in which Beethoven reviews the previous movement like crazy. It is interesting that Beethoven never, as far as I know, restates previous movements in the last movement in any of his piano sonatas. Franck employs this device to good effect in his Symphony in d Minor, but when Stephen Heller attempts the same thing in his Twenty-Five Studies for the Piano, op. 47, it goes over like a lead balloon. It must be that this idea is good for orchestral compositions but not for solo compositions. According to Wikipedia, all of the previous movements are given thematic links in the coda, but I didn't catch them. Let me close with the obvious point that both symphonies are highly celebrated. Music appreciation students have honored both symphonies with song lyrics to serve as memory aids. Beethoven's first movement goes "This is the Fifth! This is the Fifth! This is the Fifth and not the Fourth and not the Third." Mozart's first movement goes "It's a bird, it's a plane, no, it's Mozart." Mozart's last movement goes "O Mozart's in the closet, let him out, let him out, let him out!"
Piper Originally Answered: What is the similarities and differences between Mozart's Symphony No. 40 and Beethoven's Symphony No. 5?
The first movements of both symphonies use a memorable motif, only a few notes long, that forms the basis of much of the movement. Both place a lot of emphasis on rhythm. In fact, the rhythms are very similar as they both have eighth notes followed by a quarter note. Both composers used a minor key, but Mozart's symphony is more tragic and Beethoven's ends triumphantly. Unless my memory is bad, both symphonies start with strings (though Beethoven has a clarinet but it is hard to hear) and then effectively introduce the other instruments. An obvious difference is that Beethoven used a trombone, though it only appears in the last movement.

Maryvonne Maryvonne
between the similarities is that each and every faith has an interest in Jerusalem. The Jews for Solomon's temple and so on., Jerusalem is Islam's 0.33 maximum holy city and for the Christian's that's the place the dying burial and resurrection of Jesus occurred. each and every has that's very own vested interest interior an identical place for various motives. the reason that's important is by using the fact none of them agree. end circumstances evangelicals might actually help the Jews, for now. yet finally, they suspect those Jews who do no longer convert interior the top will pass over the rapture... that's a plenty longer tale. Politics is playing an excellent section in the present day.
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Lareyna Lareyna
They all believe in the God of Abraham. They disagree on how God is to be worshipped. They all believe in love. Yet they all forget "love thy neighbor" They all believe God created all that is. Yet they all criticize each other. Are they not criticizing God by doing so?
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Lareyna Originally Answered: Musicians! Are there similarities between metal and classical music?
Yes and no. Some metal draws a bit of influence from Classical, but not to the theoretical extent that some proponents of Metal would like you to believe. There is a difference between influence and borrowing from theory. The reason for the misconception, is that many people who assert the similarities of the two types of music, cannot actually read notation, and are not theorists. So they actually have no clue what they're talking about. Read this thesis and you will understand.... https://www.amherst.edu/media/view/37921...
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